I would like to thank reader and friend Jeannette Shields for tipping me off to this intriguing lady in defiance–a real one! I get so tired of the feminists making us feel like victims. We’re only victims if we choose that road. I’ve profiled many, many women who simply refused to accept their societal limits and shot right past them.
So, here ya go. Here is another one, a gal breaking the rules, exceeding the expectations of society, living life to the fullest. When Isabella crossed over the Jordan, I expect she did so riding at a full gallop!
“In 1854, at the age of twenty-two, Isabella Bird left England and began traveling as a cure for her ill health. Over the years she explored Asia, the Sandwich Islands, Hawaii, and both the Eastern and Western United States. A Lady’s Life in the Rocky Mountains contains letters written to her sister during her six-month journey through the Colorado Rockies in 1873. Traveling alone, usually on horseback, often with no clear idea of where she will spend the night in what is mostly uninhabited wilderness, she covers over a thousand miles, most of it during the winter months.
A well-educated woman who had known a comfortable life, she thinks nothing of herding cattle at a hard gallop, falling through ice, getting lost in snowstorms, and living in a cabin where the temperatures are well below zero and her ink freezes even as she writes. She befriends desperados and climbs 14,000 foot mountains, ready for any adventure that allows her to see the unparalleled beauty of nature. Her rare complaints have more to do with having to ride side-saddle while in town than with the conditions she faces. An awe-inspiring woman, she is also a talented writer who brings to life Colorado of more than one hundred years ago, when today’s big cities were only a small collection of frame houses, and while and beautiful areas were still largely untouched. –Erica Bauermeister
Title of book: A Lady’s Life in the Rocky Mountains
By Isabella L Bird
Available on Amazon. I thought the review (above) might give you food for fodder for a new Lady of Defiance.
The book is free.”
Thanks, Jeannette. Can’t wait to read it!
Last week I gave you some thoughts on who and what inspired my character of Charles McIntyre. This week, I’d like to dish on his forever-love and my favorite heroine, Naomi Frink Miller McIntyre introduced in A Lady in Defiance.
The middle sister between Rebecca and Hannah, Naomi has been called a guard dog. She has the temperament and courage to confront threats to her sisters—albeit early on you could argue she didn’t have the wisdom. Through three books, though, she has grown in her faith and as a person. She has worked to get her temper under control and tame her tongue. Like all of us, sometimes she succeeds.
So from where did this fictional character spring? Originally, she was me. Literally, for the first couple of chapters, I was Naomi. While a touch embarrassing to admit, this is pretty common for authors writing their first book. But pretty quickly something interesting happened—Naomi developed a spirit of her own. Things began to happen to her that I knew I would react one way and Naomi would react another. She had come to life and become her own person. I found it startling and very cool.
It took me a while to figure out that no one character—historical or fictional—had spawned Naomi. She is an amalgamation. She is the young, determined wife of a fallen American soldier manning his cannon at the Battle of Monmouth (see my blog); she is the frontiersman’s wife whose temper the Cherokee so feared they named her War Woman (see my blog); she is the sassy young actress who wasn’t afraid of anything, not even the mud and snow of the Klondike (see my blog); she is the rancher’s wife who lived isolated and alone on the windswept Montana prairie (see my blog). The woman who did what she had to do to make a life for her loved ones. The woman who personified never give in, never back down, never lose faith.
Yeah, that’s Naomi.
As far as looks, sure there was my blonde hair and green eyes, but when Naomi began to come to life, Reese Witherspoon fit the bill much better.
Diane Lane, who played Lorena in Lonesome Dove, had the right looks, too, but her character in that was kind of weak. Reese was in Return to Lonesome Dove and she played a sassy and impetuous gal. I will add, when cover designer Ravven took my notes and searched for the right model, she nailed it. The girl on the cover A lady in Defiance Hearts in Defiance is as close to Naomi as we can get. Unless someday we get Reese on the cover.
It could happen.
I often get asked if any of my characters are based on an actual person. Sometimes, they are, sometimes they’re straight out of my imagination. I thought it would be fun to share with you today who I saw in my head when I was writing one of my favorite and most popular characters, Charles McIntyre.
Who can resist a man running from love because he knows it will be his undoing? Think John Wayne’s classic character of Quirt Evans in Angel and the Bad Man. Well, Charles McIntyre is my sexy Southern scallywag (now mostly redeemed), lord of Defiance and the main man in my Defiance books. His character was born when I watched the movie The Harvey Girls. The actor who played opposite superstar Judy Garland in this flick was the up-and-coming John Hodiak.
Hodiak was one of the first to play a saloon owner AND bad boy redeemed by a good woman. Ned Trent was the name. Selling whiskey and women was his game.
Keeping these archetype characters in the back of my mind, I fell in love later on with Eric McCormack’s looks and portrayal of Clayton Mosby, entrepreneur, saloon owner, and bad boy in Lonesome Dove: The Outlaw Years. When I sat down to write the first Defiance book, A Lady in Defiance, these three characters and actors swirled in my head.
Eventually, of course, HBO released the graphic and gritty western Deadwood. The ruggedly handsome English actor Ian McShane played Al Swearengen, an entrepreneur, saloon owner, and bad boy with apparently no redeeming qualities whatsoever. I only watched one episode of Deadwood and that was a good three or four years after I’d finished ALID. The profanity, violence, and sex in this show went waaaay beyond my limits, so I can honestly say there is no direct link between my McIntyre and Swearengen.
But I will say this for McShane’s character: Swearengen was exactly the kind of soulless villain Charles McIntyre was based on. And the darker the soul, the more amazing the transformation when light touches it.
I adore those tough men brought to their knees by love. Charles McIntyre is my absolute hero. One reader called him swoon-worthy. I love that. He was unrepentantly cruel, selfish, violent but turned to jello in Naomi’s hands–because real love, both of a good woman and of a perfect Savior, cannot/will not leave a man unchanged.
Lilian Heath. Such a demure name.
She was anything but.
In the 1880s, Lilian’s pa got her a job assisting Dr. Thomas Maghee, the physician
in the wide-open railroad town of Rawlins, WY. A petite little thing still in high school, Lilian was pretty fearless, but not stupid. She dressed like a man and carried a .32 when she went on calls late at night. She and the doc did everything from delivering babies to reconstruct a man’s face after his failed suicide attempt.
The nursing position set Lilian’s destiny. She graduated high school, and, with her father’s blessing and Dr. Maghee’s recommendation, headed off to the College of Physicians and Surgeons in Keokuk, Iowa. She was one of only three women in the class. After completing her training, she returned to Rawlins to practice medicine and was well-received … by the menfolk. The women in town were another story. Catty, and jealous, they whispered behind her back, accused her of being a know-it-all, a few even refused to pay Lilian for services rendered. Lilian’s mother Calista wasn’t thrilled with the vocation either, believing her daughter had over-stepped her bounds as a woman.
Maybe, but if a man lay dying of a gunshot wound 30 or 40 miles away, Lilian put on her big girl breeches and made the ride.
Clearly, being a trained female physician was a bad thing, because you could, you know, save lives.
Lilian met her husband, Louis Nelson, in Rawlins and they were married in 1898. He was a painter and a decorator. Go figure. Lilian practiced medicine for fifteen years and then quietly retired, though she kept her medical license current much, much longer than that.
Unfortunately, you can’t read any article about Lilian that doesn’t mention her “connection” to an outlaw. In 1881, while Lilian was still in high school and a candy-striper, for all intents, Big Nose George Parrot was lynched for murdering a deputy. When no one claimed the body, Doctor Maghee stepped up. Curious to see if the bandit’s brain was somehow deformed, he dissected the man’s head, in the name of science. Lilian assisted with the autopsy and was given Big Nose George’s skull cap as a souvenir. She kept it for years, using it for everything from a doorstop to a pipe holder.
Reporters loved to mention that story as if it was her greatest achievement.
My guess is, there were a few members of the press she would have liked to use as doorstops.
But she didn’t let the claws or the snipes get to her. Lilian never gave in, never backed down, never lost faith. I say thanks for paving the way!
Love conquers all. Eventually, right? One of my favorite stories of a determined man finally winning the heart of his beloved is the true tale of Ethel and John Love. Yes, Love. This is the story of a girl who held out against this love-struck sheepherder for five years…but John wore her down. I hereby republish this blog from 2012.
Again, I am intrigued to read between the lines. A city girl leaves Denver, degree in hand, to accept a job as a teacher on a Wyoming ranch. Her classroom consists of seven students. During her school year, she meets her future husband, a handsome, ambitious sheepherder. It takes this stubborn Scotsman five years and dozens of sappy letters to convince Ethel to accept his proposal. What was she waiting on?
Born into a relatively wealthy family, Ethel Phoebe Waxham was a fearless young thing with a big heart. She spent a summer volunteering in the slums of New York if that tells you anything. In 1905 she finished at Wellesly and took a job teaching the children on the Red Bluff Ranch in Wyoming. Her letters indicate she fell madly in love with the place and its people, but not so much with rancher John Love. Oh, she liked him well enough and appreciated the fact that he made the eleven-hour ride to see her several times during the school year. Ethel, though, apparently wasn’t ready to settle down. She had, you know, places to go, people to see, things to learn. Or was she simply afraid marriage might mean her life would pass into obscurity?
At the end of that first teaching job, she enrolled in the University of Colorado to obtain a master’s in literature. That’s when the letters started arriving. Lots of them. John Love made no secret of why he was writing. Ethel needed to be his wife and he would wait for her. No matter how long it took. Unless and until she married another.
When Ethel received her degree in 1907, she took a job in Wisconsin, again as a teacher. Still the letters followed. And she answered, often with an apology that she shouldn’t. She didn’t want to give him false hope, after all. Once she even scolded him for closing his letter with “ever yours,” instead of the customary “sincerely yours.” Yet, Ethel did not entwine her life with any other men. She didn’t often attend dances or parties. Strange girl. It’s almost as if she was the female version of George Bailey. Perhaps restless, she moved back to Colorado in 1908 and continued her work, but where was her heart, I wonder?
Ethel spoke four languages, enjoyed writing, especially poetry, even staged theatrical productions. But that sheepherder, who by now was doing pretty well for himself, wouldn’t give her any peace. Finally, this fiercely independent American girl caved. The two were married in 1910 and remained together the rest of their lives, happy by all accounts.
If you’d like to know more about John and Ethel, check out this piece from PBS. It’s worth the read.
Abortion. Yeah. I’m going there.
As a history freak, I’m pretty well acquainted with how hard life was for the women who settled and–might I add–fought–for this country. Sometimes they manned cannons or rode through hell and high water to deliver intelligence. They fought marauding Indians, beat off snakes with sticks, stared down cattle rustlers, stamped out brush fires with handmade quilts, heck, even crawled through blizzards. And a lot of the time our ancestors did these amazing feats with babies in their arms and toddlers clinging to their apron strings.
I read somewhere the average woman in the 19th century had six children. Most of these ladies probably would have liked to stop before then. Six babies is a lot, but having them was a fact of life because successful birth control (short of abstinence) wasn’t a fact of life. I surmise, however, if they’d had magic wands and could have “undone” any of these pregnancies, I’d bet 99.99% of these gals would have balked at the proposition. In fact, I’d bet they’d be willing to walk through hell covered in gasoline to protect their infants.
Fast forward to the 1970s when all a woman had to do to prevent pregnancy was pop a pill or slap a condom on her partner. Yet, Democrats and spineless Republicans pushed ahead (Roe v. Wade) to legalize abortion, though with “strict limitations” because those words make “murder” so much more palatable. Pro-lifers warned this was a slippery slope; man is after all evil and rebellious at heart.
So here we are today. The New York state legislature comes along and votes into law the right of a woman to kill her baby in the 3rd trimester. And she doesn’t even have to have a doctor perform the homicide. I heard this morning the Virginia legislature is considering a similar bill.
If you know me, you know I’m not politically correct so it won’t surprise you where I come down on these horrific “laws.” I am DEEPLY DISGUSTED by New York Assemblywoman Deborah Glick and NY State Senator Liz Krueger and Virginia Delegate Kathy Tran. The “sponsors” of these bills. I’d call them death merchants.
Ladies, a law that allows the murder of a child for no reason other than the baby is an inconvenience is diabolical. Abominable. Dastardly. Evil. Heinous. Soulless. As are you.
And I’m sorry for you.
I can talk politics all day long and not lose my temper. THIS is the one issue on which I struggle to maintain patience and kindness. I’m not just dealing with ignorance or fear (as I see so often when discussing the 2nd Am), this is EVIL. Pure and simple. And I stand in Defiance of it.
Pray, people, pray. Vote Pro-Life. Donate to pro-life candidates. Support our pro-life president.
Our ancestors didn’t fight and struggle to keep their children alive to build this nation and settle a country just so we could treat human lives as if they are less valuable than cattle. Think about it. If the politicians feel this way about a 9-month old baby in the womb, who’s next? Senior citizens? The mentally challenged? Jews?
Can I get an amen?
I couldn’t resist sharing this tale with y’all. I was doing a little research and stumbled across the story of Kate McHale Slaughterback. Born in Longmont, CO in 1894, Kate was a pistol. By all accounts, she was strong-willed, independent, arguably surly, and she did not like to be told what to do. By anybody. Which may account for several failed marriages.
Perhaps headstrong to a fault, I can’t help but think this is the very flaw that saved her life and created her legend. You see, Mrs. Slaughterback came to be known as “Rattlesnake” Kate because she killed a few of the critters one afternoon–over 140 of them. One. Hundred. Forty.
As you might expect, the indpendent Kate could handle a gun. One afternoon she and her three-year-old son ventured down to a local pond. Some duck hunters had been there earlier and Kate thought she might have the chance to bag a wounded one for dinner. Walking back to her son and her horse, she noted a rattler crawling across her path and popped him with her .22. But another rattler appeared. And another. The ground literally started squirming with writhing, hissing, rattling snakes, scores of them, separating her from her little boy.
Kate shot rattlers until she ran out of ammo then she snatched up a sign (that supposedly read NO HUNTING) and went all Samson on the reptiles. For over two hours, she bludgeoned, kicked, stomped, and smashed snakes. Finally, she had a path open and made a beeline to her boy.
A neighbor noted her disheveled appearance when she returned home and she shared her story. Whether to prove the truth of it or gather up the skins, she and the neighbor returned to the site of the massacre. Color him appropriately impressed and he spread the story. The tale went viral, especially once the newspapers got hold of it, and like reporters were apparently compelled to do in those days, they gave Kate a moniker, dubbing her “Rattlesnake” Kate.
Kate was a skilled taxidermist and entrepreneur. Her fame allowed her to sell rattlesnake souvenirs, but she also made herself a dress out of the hides. Upon her death in Greely, CO in 1969, the garment was donated to the history museum there.
Now, I just want to say, what Kate did was crazy amazing. But as an arachnophobic, I can totally understand it. FEAR can make you insanely strong. If Kate was as afraid of snakes as I am of spiders, I can easily understand going whirling-dervish mad and killing snakes in a blind rage of fear and fury. And then you strand her child on the other side of the reptilian river? Oh, yeah, this is a Mama Grizzly story.
Can you imagine what she might have done if she’d had the jawbone of an ass?
Christmas in the West in the 1800’s. For some reason, I get warm-and-fuzzy feelings thinking about the wide open spaces, deep snow, tall pines, warm hearths, homemade gifts, sleigh rides, fiddle music, shy cowboys asking for a dance at the Christmas ball–Whoops! Sorry, I drifted off there for a second!
You can see why I write this stuff!
I’d like to share with you three of my favorite things that put me in mind of a Western Christmas: a certain book, a certain song, and a certain poem. Maybe they’ll set you to dreaming about a Cowboy–er, I mean, an old-fashioned Christmas, too!
THE BOOK-–More than a decade ago, I read A Bride Goes West, the memoirs of Wyoming wife and rancher Nannie Alderson. The book haunts me to this day. You’d have to read it to understand, but Nannie was a fire-cracker with a rebel’s heart! Nothing ever kept her down; she accepted life with grace and grit and lived a grand adventure when the west was still wild and wooly.
Born to an affluent southern family, Nannie grew up in post-Civil War Virginia. Her home and community were spared much of the desolation of war, leaving her to blossom in a world that clung to the most genteel Southern graces. Her petticoats were ironed daily, she never cooked a meal or did her own laundry, but she did learn the most useless graces of high society. Her mother was a vain woman who enjoyed being the belle of the ball and was pleased to groom her daughter for the same fate.
Nannie only felt strangled by the shallow, societal confinements.
In 1880, she had the opportunity to visit a cousin in wild-and-wooly Kansas. Nannie jumped at it. Right from the start, she fell in love with the freedom of the West. No one judged her there; no one treated her like a hot-house flower. What you wore or who you ate dinner with didn’t impress anyone. Folks were measured by their sand, not their silk breeches. Hard work and honest words were all that mattered.
While there, she met the man who epitomized these traits. Walt Alderson had left home at the age of 12 to make his way as a cowboy. He spent years learning to be the best cowboy he could be with the ultimate goal of running his own spread. In all that time, he never made one visit home.
Then suddenly, his future rolled out before him. He and his business partner purchased some land in Montana and started the work of building a ranch. For whatever reason, Walt decided in the midst of all this to check in on his family. The night he came home, Nannie was sitting on his living room settee.
Nannie’s recollections of building a ranch in the wilds of Montana with Walt are fascinating, detailed, peppered with humor, and always honest. She went from gliding across hardwood floors to sweeping dirt floors covered with canvas. She went from living in an antebellum mansion to a drafty, two-room cabin. She went from swirling about at parties with young men in perfectly tailored suits to dancing with dusty cowboys in patched up dungarees.
She had to learn to cook and her tutors were those trail-hardened ranch hands who treated her like a princess and readily forgave her for the rocks she called biscuits. She survived bed bugs and blizzards; delivered children with no midwife and stared down Indians. Nannie even shot a rattlesnake who attempted to take up residence in her kitchen. She readily admits she had moments when she felt sorry for herself, but, mostly, Nannie counted her blessings. She loved her life. She loved the way of life out West.
Like Walt, quitting was never part of the plan, even when the stock market crashed and Indians burned their house. For ten years they worked and slaved to forge a home from the beautiful, desolate, wide-open country in Montana. Even when Walt died, leaving her a widow with two young children, Nannie cowboyed up. She made ends meet; she raised good kids.
The next time your microwave goes on the fritz or you forget to pick up milk at the store, pick up a copy of A Bride Goes West. I guarantee this American woman will put things in perspective for you.
THE SONG–Two-Step ‘Round the Christmas Tree. I was in Wyoming on my honeymoon when I heard this song for the first time. It truly has special memories for me. Give a listen and get to dancin’!
The Poem–The Creak of the Leather. The absolute maestro of cowboy poetry is the legendary Bruce Kiskadon. And if this poem doesn’t make you want to strap on a pair of spurs and jump in the saddle and ride out and cut down a Christmas tree, check your pulse!
THE CREAK OF THE LEATHER
by Bruce Kiskaddon (1878-1950)
It’s likely that you can remember
A corral at the foot of a hill
Some mornin’ along in December
When the air was so cold and so still.
When the frost lay as light as a feather
And the stars had jest blinked out and gone.
Remember the creak of the leather
As you saddled your hoss in the dawn.
When the glow of the sunset had faded
And you reached the corral after night
On a hoss that was weary and jaded
And so hungry yore belt wasn’t tight.
You felt about ready to weaken
You knowed you had been a long way
But the old saddle still kep a creakin’
Like it did at the start of the day.
Perhaps you can mind when yore saddle
Was standin’ up high at the back
And you started a whale of a battle
When you got the old pony untracked.
How you and the hoss stuck together
Is a thing you caint hardly explain
And the rattle and creak of the leather
As it met with the jar and the strain.
You have been on a stand in the cedars
When the air was so quiet and dead
Not even some flies and mosquitoes
To buzz and make noise ’round yore head.
You watched for wild hosses or cattle
When the place was as silent as death
But you heard the soft creak of the saddle
Every time the hoss took a breath.
And when the round up was workin’
All day you had been ridin’ hard
There wasn’t a chance of your shirkin’
You was pulled for the second guard
A sad homesick feelin’ come sneakin’
As you sung to the cows and the moon
And you heard the old saddle a creakin’
Along to the sound of the tune.
There was times when the sun was shore blazin’
On a perishin’ hot summer day
Mirages would keep you a gazin’
And the dust devils danced far away
You cussed at the thirst and the weather
You rode at a slow joggin’ trot
And you noticed somehow that the leather
Creaks different when once it gets hot.
When yore old and yore eyes have grown hollow
And your hair has a tinge of the snow
But there’s always the memories that follow
From the trails of the dim long ago.
There are things that will haunt you forever
You notice that strange as it seems
One sound, the soft creak of the leather,
Weaves into your memories and dreams.
Of course, though, the most wonderful, most amazing, most old-fashioned thing about Christmas is the birth of a savior two thousand years ago. Remember and celebrate the Reason for the Season: the One who was born to die for mankind.
And I hope you all have a very merry, very blessed, very old-fashioned Christmas!
As a nation, not only have we become deeply divided, but we’re divided over stupid things. Maybe–here’s a crazy thought–if we were a little less sensitive we’d all get along a little better. Instead of scouring the universe for something that hurts our little feelings, maybe we could be more concerned with things that matter.
So, here’s the reason for my rant. I recently read an article (Writing with Color Description Guide Part One) that said writers shouldn’t use words like chocolate, coffee, cinnamon, cocoa, etc. to describe a Person of Color. Such descriptors are, according to this article’s author, fetishizing, dehumanizing, and my favorite (and I quote): these words are about aggression and appropriation and have links to colonialism.
You can’t, according to the writer, use coffee, for example, to describe someone’s skin color because it refers to slavery. You’re microaggressively trying to show your European dominance. I have to quote the writer again: “Cocoa. Coffee. They drove the slave trade. They still drive the slave trade.” (Underline is hers not mine.) In short, you are obviously a racist if you use the word coffee to describe an African American’s skin tone. Give me a break.
BUT, we can use words like peachy and milky to describe whites–because, according to the article’s author, whites aren’t people of color. Furthermore, she says it’s okay to say Olive-toned (Olives have no historical connection to slavery?). She also says it’s okay to use other foodie descriptors like wheat, soybean…wait, what? Soybean?
I’m pretty sure a stranger would be offended if I described her skin as a warm soybean color. Now THAT is dehumanizing.
And just who does this writer suggest run the Politically Correct Botanical Comparison Police anyway? Her? Frankly, with stupid suggestions like “soybean,” someone needs to take her badge away.
I LOVE coffee. I am pretty sure that’s not because I’m a subconscious racist. Coffee smells like heaven. The texture is gritty and firm. The taste is warm, savory, and comforting. I could sleep on a bed of steamy milk. Anyone who walks into a Starbuck’s and inhales that heady aroma knows exactly what I’m talking about.
My point is rather than worrying about microaggressions or poor cliches in literature, people that live to be offended should try to be more constructive. That is if they truly want to make this a better world.
Instead of complaining about being called coffee, go have a cup with someone who has a different view of life from yours. Instead of acting like your elders’ march for civil rights didn’t break any barriers, let’s march together to end sex slave trafficking. Instead of whining about the way illegal immigrants are treated, study America’s history and look at what blessings members of the “melting pot” have added to the world.
I have a suspicion, though, the writer of “Writing with Color” would rather just go read Mark Twain and strikethrough all the offensive words. Maybe she’ll feel better but I doubt it.
How about you? Do you feel victimized by bad color metaphors or do you even give a rip as long as you can see the scene and the character?
(To be fair, the author in Part 2 she does offer some nice substitutes, but she clearly shies away from metaphors and similes, preferring to just use colors to describe characters).
Can you hear me now? I mean literally. Have you ever thought about listening to an audiobook? Several of my books are available for listening and more are coming. Audiobooks are awesome because you can get lost in a story while you’re cooking, cleaning, crafting, or whatever. I love them for long road trips. They make the time fly.
But there is a lot of work that goes into creating and producing an audiobook. One of the things that I have to do is listen to auditions of narrators who would like to read a book to you, gentle reader. So, just for the fun of it, please give a listen to this snippet from Talmadge Ragan’s audition to narrate Love, Lies, & Typewriters! She’s quite the professional.
And just for fun, here is me trying to be a professional narrator! I am reading from Locket Full of Love!
I hope you’ll check out my books over at Audible and give a listen. Listening really frees you up to do more!