As a nation, not only have we become deeply divided, but we’re divided over stupid things. Maybe–here’s a crazy thought–if we were a little less sensitive we’d all get along a little better. Instead of scouring the universe for something that hurts our little feelings, maybe we could be more concerned with things that matter.
So, here’s the reason for my rant. I recently read an article (Writing with Color Description Guide Part One) that said writers shouldn’t use words like chocolate, coffee, cinnamon, cocoa, etc. to describe a Person of Color. Such descriptors are, according to this article’s author, fetishizing, dehumanizing, and my favorite (and I quote): these words are about aggression and appropriation and have links to colonialism.
You can’t, according to the writer, use coffee, for example, to describe someone’s skin color because it refers to slavery. You’re microaggressively trying to show your European dominance. I have to quote the writer again: “Cocoa. Coffee. They drove the slave trade. They still drive the slave trade.” (Underline is hers not mine.) In short, you are obviously a racist if you use the word coffee to describe an African American’s skin tone. Give me a break.
BUT, we can use words like peachy and milky to describe whites–because, according to the article’s author, whites aren’t people of color. Furthermore, she says it’s okay to say Olive-toned (Olives have no historical connection to slavery?). She also says it’s okay to use other foodie descriptors like wheat, soybean…wait, what? Soybean?
I’m pretty sure a stranger would be offended if I described her skin as a warm soybean color. Now THAT is dehumanizing.
And just who does this writer suggest run the Politically Correct Botanical Comparison Police anyway? Her? Frankly, with stupid suggestions like “soybean,” someone needs to take her badge away.
I LOVE coffee. I am pretty sure that’s not because I’m a subconscious racist. Coffee smells like heaven. The texture is gritty and firm. The taste is warm, savory, and comforting. I could sleep on a bed of steamy milk. Anyone who walks into a Starbuck’s and inhales that heady aroma knows exactly what I’m talking about.
My point is rather than worrying about microaggressions or poor cliches in literature, people that live to be offended should try to be more constructive. That is if they truly want to make this a better world.
Instead of complaining about being called coffee, go have a cup with someone who has a different view of life from yours. Instead of acting like your elders’ march for civil rights didn’t break any barriers, let’s march together to end sex slave trafficking. Instead of whining about the way illegal immigrants are treated, study America’s history and look at what blessings members of the “melting pot” have added to the world.
I have a suspicion, though, the writer of “Writing with Color” would rather just go read Mark Twain and strikethrough all the offensive words. Maybe she’ll feel better but I doubt it.
How about you? Do you feel victimized by bad color metaphors or do you even give a rip as long as you can see the scene and the character?
(To be fair, the author in Part 2 she does offer some nice substitutes, but she clearly shies away from metaphors and similes, preferring to just use colors to describe characters).
by Heather Frey
To Love and to Honor—Why a story about an amputee?
Last year I stumbled across a newspaper article about photographer Michael Stokes. He was snapping sexy pics of veterans who had lost limbs in combat. I was stunned both by the soldiers’ mind-blowing good looks, and the extent of their injuries.
The thought haunted me how these devastatingly handsome, rugged men were dealing with the scars, the prosthetics, the missing limbs. I thought also of evangelist Dave Roever. Horribly disfigured in Vietnam, he’d watched as a fellow soldier’s wife had taken one look at her gravely burned husband and walked out of the room. Fortunately, Dave’s wife had the opposite reaction and the two are still married to this day.
But based on the junk you see coming out of Hollywood, one would believe our culture values physical perfection far above inner beauty. It seems the shallow masses give a pass to monstrous inner ugliness if the package comes wrapped in a big bust or washboard abs.
I feel for the wounded vets in a society like this and wanted to write something for them—a story that clearly focuses on the real measure of a man—his heart and soul, not his number of fingers or toes.
I hope you enjoy it and all the other stories in the special collection It’s Beginning to Look a Lot Like Christmas! ON SALE NOW or read for FREE in Kindle Unlimited! I’ve included an excerpt at the bottom!
If you are so inclined, you can read an article on Michael Stokes photography here— http://www.dailymail.co.uk/femail/article-3165402/Photographer-captures-amputee-war-veterans-posing-naked-proudly-revealing-injuries-powerful-picture-series.html, but WARNING: adult content. Privates are covered… BARELY!
An excerpt from To Love and to Honor–
Someone knocked at the door. “Señor, Señora” a voice called. “We have the water for a bath.”
Joel’s bath. “Yes, come in.”
Four ranch hands, one right after the other, trailed into the room, each with a steaming bucket of water. In short order, the portable copper tub was full and they excused themselves.
Joel stared at the bath with a tight expression, as if he was afraid of it.
Slowly, Angela rose and crossed the room to stand in front of him. He looked up with an expression of surprise that quickly transformed to desire. Hope flickered in his deep, blue eyes. She knelt in front of him and gently laid a hand on his knee. “You need a bath.” She swallowed, and fought to control her breathing. “I’ll help you.”
His eyes widened. “You—you can’t.”
She reached for his boot heel and started tugging. “I’m the only one who can.” The boot came free and she reached for the other.
Joel clutched her hand. “No.”
She didn’t meet his gaze, but she could feel it, like a gentle touch on her cheek.
“I mean, I don’t want you to see…”
Was he afraid his wound, his missing limb, would be too grotesque for her? She couldn’t imagine anything about this man being repulsive. She gave him a slow, reassuring smile. “I don’t mind.”
She pushed his pant leg up above his knee and realized his boot had been sewn on to the prosthetic. She didn’t know what to do.
“It’s cinched around my thigh.” Joel’s voice sounded strained.