I often get asked if any of my characters are based on an actual person. Sometimes, they are, sometimes they’re straight out of my imagination. I thought it would be fun to share with you today who I saw in my head when I was writing one of my favorite and most popular characters, Charles McIntyre.
Who can resist a man running from love because he knows it will be his undoing? Think John Wayne’s classic character of Quirt Evans in Angel and the Bad Man. Well, Charles McIntyre is my sexy Southern scallywag (now mostly redeemed), lord of Defiance and the main man in my Defiance books. His character was born when I watched the movie The Harvey Girls. The actor who played opposite superstar Judy Garland in this flick was the up-and-coming John Hodiak.
Hodiak was one of the first to play a saloon owner AND bad boy redeemed by a good woman. Ned Trent was the name. Selling whiskey and women was his game.
Keeping these archetype characters in the back of my mind, I fell in love later on with Eric McCormack’s looks and portrayal of Clayton Mosby, entrepreneur, saloon owner, and bad boy in Lonesome Dove: The Outlaw Years. When I sat down to write the first Defiance book, A Lady in Defiance, these three characters and actors swirled in my head.
Eventually, of course, HBO released the graphic and gritty western Deadwood. The ruggedly handsome English actor Ian McShane played Al Swearengen, an entrepreneur, saloon owner, and bad boy with apparently no redeeming qualities whatsoever. I only watched one episode of Deadwood and that was a good three or four years after I’d finished ALID. The profanity, violence, and sex in this show went waaaay beyond my limits, so I can honestly say there is no direct link between my McIntyre and Swearengen.
But I will say this for McShane’s character: Swearengen was exactly the kind of soulless villain Charles McIntyre was based on. And the darker the soul, the more amazing the transformation when light touches it.
I adore those tough men brought to their knees by love. Charles McIntyre is my absolute hero. One reader called him swoon-worthy. I love that. He was unrepentantly cruel, selfish, violent but turned to jello in Naomi’s hands–because real love, both of a good woman and of a perfect Savior, cannot/will not leave a man unchanged.
Apparently, author Amélie Wen Zhao hasn’t heard the famous Lincoln quote: You can’t satisfy all of the people all of the time.
Amid the outcry of Snowflakes who thought she had treated the issue of slavery without enough sensitivity, the debut author asked her publisher to yank the release in June of Blood Heir so she could re-write some scenes.
As Publisher’s Weekly put it, “…particularly that a slave auction scene in Blood Heir was insensitive to POC readers due to the history of slavery in the U.S.”
Well, uh, I would suggest the mere historical FACT of slave auctions is pretty darn insensitive to POC (People of Color, if you’re not familiar with yet ANOTHER hip acronym).
This is a shame. The mob is telling this girl what to write and how to write it. And she caved. As did her publisher. As an author, you can probably imagine how much this bothers me. Where does it stop? Shall we run all our ideas by some PC filter group? Put some kind of warning on our books?
Here’s a thought: maybe we could just figure out who we’re writing for and keep that group happy. I know, crazy, right? Hitting our target reader. What a concept.
I’m sorry Amelie was ambushed by a virtual mob of “tolerant” liberals. I am sorry that she caved and won’t get to write the book she envisioned. That really does make me sad, but not just for her. Reading a book the way the writer saw the story is like sitting down to chat with a friend. It’s a personal experience. Her readers aren’t going to get that now.
As for me, well, I bet you can guess what I would say to a mob telling me how to write a book: don’t buy it.
My stories are written for folks who have at least passing respect for the Almighty, are okay with guns, happily salute the American flag, like fiery, determined heroines, long for a world that honors old-fashioned values like kindness and decency, and enjoy watching my flawed characters overcome steep odds. I’m pro-God, pro-gun, pro-life, pro-Bible, pro-US Constitution, and pro-freedom of speech.
If any of these statements offend you–well, I must ask, what are you doing here? I’d love for you to read my books. I think most of them are pretty entertaining and inspiring. They’re really well rated on Amazon. But my world view isn’t changing for anybody.
Christmas in the West in the 1800’s. For some reason, I get warm-and-fuzzy feelings thinking about the wide open spaces, deep snow, tall pines, warm hearths, homemade gifts, sleigh rides, fiddle music, shy cowboys asking for a dance at the Christmas ball–Whoops! Sorry, I drifted off there for a second!
You can see why I write this stuff!
I’d like to share with you three of my favorite things that put me in mind of a Western Christmas: a certain book, a certain song, and a certain poem. Maybe they’ll set you to dreaming about a Cowboy–er, I mean, an old-fashioned Christmas, too!
THE BOOK-–More than a decade ago, I read A Bride Goes West, the memoirs of Wyoming wife and rancher Nannie Alderson. The book haunts me to this day. You’d have to read it to understand, but Nannie was a fire-cracker with a rebel’s heart! Nothing ever kept her down; she accepted life with grace and grit and lived a grand adventure when the west was still wild and wooly.
Born to an affluent southern family, Nannie grew up in post-Civil War Virginia. Her home and community were spared much of the desolation of war, leaving her to blossom in a world that clung to the most genteel Southern graces. Her petticoats were ironed daily, she never cooked a meal or did her own laundry, but she did learn the most useless graces of high society. Her mother was a vain woman who enjoyed being the belle of the ball and was pleased to groom her daughter for the same fate.
Nannie only felt strangled by the shallow, societal confinements.
In 1880, she had the opportunity to visit a cousin in wild-and-wooly Kansas. Nannie jumped at it. Right from the start, she fell in love with the freedom of the West. No one judged her there; no one treated her like a hot-house flower. What you wore or who you ate dinner with didn’t impress anyone. Folks were measured by their sand, not their silk breeches. Hard work and honest words were all that mattered.
While there, she met the man who epitomized these traits. Walt Alderson had left home at the age of 12 to make his way as a cowboy. He spent years learning to be the best cowboy he could be with the ultimate goal of running his own spread. In all that time, he never made one visit home.
Then suddenly, his future rolled out before him. He and his business partner purchased some land in Montana and started the work of building a ranch. For whatever reason, Walt decided in the midst of all this to check in on his family. The night he came home, Nannie was sitting on his living room settee.
Nannie’s recollections of building a ranch in the wilds of Montana with Walt are fascinating, detailed, peppered with humor, and always honest. She went from gliding across hardwood floors to sweeping dirt floors covered with canvas. She went from living in an antebellum mansion to a drafty, two-room cabin. She went from swirling about at parties with young men in perfectly tailored suits to dancing with dusty cowboys in patched up dungarees.
She had to learn to cook and her tutors were those trail-hardened ranch hands who treated her like a princess and readily forgave her for the rocks she called biscuits. She survived bed bugs and blizzards; delivered children with no midwife and stared down Indians. Nannie even shot a rattlesnake who attempted to take up residence in her kitchen. She readily admits she had moments when she felt sorry for herself, but, mostly, Nannie counted her blessings. She loved her life. She loved the way of life out West.
Like Walt, quitting was never part of the plan, even when the stock market crashed and Indians burned their house. For ten years they worked and slaved to forge a home from the beautiful, desolate, wide-open country in Montana. Even when Walt died, leaving her a widow with two young children, Nannie cowboyed up. She made ends meet; she raised good kids.
The next time your microwave goes on the fritz or you forget to pick up milk at the store, pick up a copy of A Bride Goes West. I guarantee this American woman will put things in perspective for you.
THE SONG–Two-Step ‘Round the Christmas Tree. I was in Wyoming on my honeymoon when I heard this song for the first time. It truly has special memories for me. Give a listen and get to dancin’!
The Poem–The Creak of the Leather. The absolute maestro of cowboy poetry is the legendary Bruce Kiskadon. And if this poem doesn’t make you want to strap on a pair of spurs and jump in the saddle and ride out and cut down a Christmas tree, check your pulse!
THE CREAK OF THE LEATHER
by Bruce Kiskaddon (1878-1950)
It’s likely that you can remember
A corral at the foot of a hill
Some mornin’ along in December
When the air was so cold and so still.
When the frost lay as light as a feather
And the stars had jest blinked out and gone.
Remember the creak of the leather
As you saddled your hoss in the dawn.
When the glow of the sunset had faded
And you reached the corral after night
On a hoss that was weary and jaded
And so hungry yore belt wasn’t tight.
You felt about ready to weaken
You knowed you had been a long way
But the old saddle still kep a creakin’
Like it did at the start of the day.
Perhaps you can mind when yore saddle
Was standin’ up high at the back
And you started a whale of a battle
When you got the old pony untracked.
How you and the hoss stuck together
Is a thing you caint hardly explain
And the rattle and creak of the leather
As it met with the jar and the strain.
You have been on a stand in the cedars
When the air was so quiet and dead
Not even some flies and mosquitoes
To buzz and make noise ’round yore head.
You watched for wild hosses or cattle
When the place was as silent as death
But you heard the soft creak of the saddle
Every time the hoss took a breath.
And when the round up was workin’
All day you had been ridin’ hard
There wasn’t a chance of your shirkin’
You was pulled for the second guard
A sad homesick feelin’ come sneakin’
As you sung to the cows and the moon
And you heard the old saddle a creakin’
Along to the sound of the tune.
There was times when the sun was shore blazin’
On a perishin’ hot summer day
Mirages would keep you a gazin’
And the dust devils danced far away
You cussed at the thirst and the weather
You rode at a slow joggin’ trot
And you noticed somehow that the leather
Creaks different when once it gets hot.
When yore old and yore eyes have grown hollow
And your hair has a tinge of the snow
But there’s always the memories that follow
From the trails of the dim long ago.
There are things that will haunt you forever
You notice that strange as it seems
One sound, the soft creak of the leather,
Weaves into your memories and dreams.
Of course, though, the most wonderful, most amazing, most old-fashioned thing about Christmas is the birth of a savior two thousand years ago. Remember and celebrate the Reason for the Season: the One who was born to die for mankind.
And I hope you all have a very merry, very blessed, very old-fashioned Christmas!
This post first appeared at Cowboy Kisses, May 2017 by Heather Blanton
A simple question on the surface, I thought a quick Google would give me the answer. Turns out, a few females claim the honor. So after a little more serious digging, I came up with Mary Hallock Foote and her first novel, Led-Horse Claim: A Romance of a Mining Camp published in 1883.
Turns out, Mary was quite an interesting gal. Born in 1847 in New York to Quaker parents, she attended school at the very proper Female Collegiate Seminary in Poughkeepsie. Her gift for the creative arts convinced her father (clearly a forward-thinking man) to invest more in his daughter’s education. He sent her to Cooper School of Design for Women, and by her early twenties, Mary was a sought-after illustrator and designer for some of the most notable publishers in New York City. She loved her job. She loved the city. But she loved a man more.
In 1876, she married Arthur De Wint Foote, a young mining engineer whose career would take her deep into the wild-and-wooly Western frontier. Mary saw it all. From Deadwood to Leadville, from Idaho to Mexico.
Impressed, sometimes astonished, at the characters populating these rowdy mining towns, Mary wrote and illustrated dozens of articles for readers “back East.” She quickly gained the reputation for being one of the sharpest observers of, and most civilizing influences on, the bawdy mining, and ditch (irrigation) towns out west. According to an article in the Oregon Cultural Heritage Commission, “The Victorian gentlewoman traveled the American West dressed in hoop skirt and petticoats, insisting that her children be educated by an English nanny and fed by a Chinese cook, so that she could work on her illustrations and stories, without interruption.”
What this quote doesn’t tell you is that Mary didn’t have time to raise the children because she had to help put bread on the table. Her husband’s career as a surveyor and civil engineer was difficult, at best, due to his unswerving honesty. Apparently, fudging numbers was expected in the mining industry, but Arthur didn’t play along. Hence, the continual moves from one town to the next. But Mary wrote about it all and her short stories and serials gained in popularity. They were published alongside the likes of Rudyard Kipling. Her articles and observations of life in the Wild West were met with lavish reviews, especially by those who could recognize the ring of authenticity—because they lived it.
Mary’s stories leaned more toward Western romance, though, as opposed to Owen Wister-style shoot-outs and brawls. She wrote fifteen novels in all. However, her husband eventually landed a job managing a mine in California and as his salary increased, Mary’s hectic writing pace decreased. Her last book was published in 1919. She didn’t seem to miss writing.
Mary and Arthur were married for nearly sixty years. She, ever hardy and determined, lived until the ripe old age of 90. Unfortunately, while her life was long, her fame was not. It is nearly impossible to find the complete collection of Mary’s works now, even on Amazon. What a loss for the Western Romance genre.
I love old books and am always looking to read more. Please feel free to suggest some!
How did all this come about? It’s one crazy God-story!
I was on facebook private messaging with my assistant when I happened to see actor Matt Williams announce that he’d done well in an audition, got the part, and probably another one. I hopped over to just quickly congratulate him. He commented back that he’d like to get a part when one of my books was made into a movie. I said, “Well, it just so happens that I do have a script for A Lady in Defiance, but I haven’t done anything with it.”
Matt immediately private messaged me and asked me about this book. I told him to date it had sold over 50,000 copies and I did write a script for it, passed it around to a few professionals in the industry, but they wanted me to make some changes to it. I wasn’t averse to doing that, I just didn’t feel like working on the script. Really, I’m a novelist.
Matt said there was someone he wanted me to meet and even over the facebook messenger I could hear his excitement!
The next day Micah Lyons reached out to me and wanted to know all about my Defiance books. After a few days of back-and-forth, he made me an offer! And get this–in the course of our conversations, Micah mentioned that he’d seen A Lady in Defiance one day in a Books-a-Million and kept the story in the back of his head! Honestly, we both took that as a sign.
I suddenly realized I might be on the verge of a life-changing decision and reached out to some wonderful folks like Brian Bird and Bodie Thoene for some advice. They were kind enough to offer their thoughts. Like get an agent, don’t give Micah the option on all three books, etc. Then JD Dewitt of 5×5 Productions answered my inquiry and wanted to talk.
JD is precious. I love her to death. Her favorite genre is Westerns and she had already read A Lady in Defiance back in 2013! In short, she now represents me and helped hammer out the deal with Breath of Life Productions.
As I mentioned, one of the things that some professionals recommended I NOT do was give Breath of Life the option on all three books. In case the first one sold, then I should have the ability, they argued, to maneuver for a better deal on books 2 and 3, maybe with a bigger producer. Honestly, that just didn’t feel right to me. Micah was the first producer to look at this project and want to commit immediately to a series, not just one movie. He said he couldn’t see it any other way. That was when I knew. The “up-and-comer” in Hollywood had to have his shot. If Breath of Life Productions and Micah can sell this project, then they deserve to handle all of it.
I’ve heard NOTHING but good things about Micah Lyons and have enjoyed my talks with him immensely. A Godly young man, he is living in a dark kingdom and taking the Light to it.
I say let’s take the good news to those living in Defiance! I hope you’ll pray for this project. We would all appreciate it very much.
Now, a question. Who would you like to see play Naomi Miller and Charles McIntyre? I vote Reese Witherspoon for Naomi, but I’m still deciding on Charles!