Abortion. Yeah. I’m going there.
As a history freak, I’m pretty well acquainted with how hard life was for the women who settled and–might I add–fought–for this country. Sometimes they manned cannons or rode through hell and high water to deliver intelligence. They fought marauding Indians, beat off snakes with sticks, stared down cattle rustlers, stamped out brush fires with handmade quilts, heck, even crawled through blizzards. And a lot of the time our ancestors did these amazing feats with babies in their arms and toddlers clinging to their apron strings.
I read somewhere the average woman in the 19th century had six children. Most of these ladies probably would have liked to stop before then. Six babies is a lot, but having them was a fact of life because successful birth control (short of abstinence) wasn’t a fact of life. I surmise, however, if they’d had magic wands and could have “undone” any of these pregnancies, I’d bet 99.99% of these gals would have balked at the proposition. In fact, I’d bet they’d be willing to walk through hell covered in gasoline to protect their infants.
Fast forward to the 1970s when all a woman had to do to prevent pregnancy was pop a pill or slap a condom on her partner. Yet, Democrats and spineless Republicans pushed ahead (Roe v. Wade) to legalize abortion, though with “strict limitations” because those words make “murder” so much more palatable. Pro-lifers warned this was a slippery slope; man is after all evil and rebellious at heart.
So here we are today. The New York state legislature comes along and votes into law the right of a woman to kill her baby in the 3rd trimester. And she doesn’t even have to have a doctor perform the homicide. I heard this morning the Virginia legislature is considering a similar bill.
If you know me, you know I’m not politically correct so it won’t surprise you where I come down on these horrific “laws.” I am DEEPLY DISGUSTED by New York Assemblywoman Deborah Glick and NY State Senator Liz Krueger and Virginia Delegate Kathy Tran. The “sponsors” of these bills. I’d call them death merchants.
Ladies, a law that allows the murder of a child for no reason other than the baby is an inconvenience is diabolical. Abominable. Dastardly. Evil. Heinous. Soulless. As are you.
And I’m sorry for you.
I can talk politics all day long and not lose my temper. THIS is the one issue on which I struggle to maintain patience and kindness. I’m not just dealing with ignorance or fear (as I see so often when discussing the 2nd Am), this is EVIL. Pure and simple. And I stand in Defiance of it.
Pray, people, pray. Vote Pro-Life. Donate to pro-life candidates. Support our pro-life president.
Our ancestors didn’t fight and struggle to keep their children alive to build this nation and settle a country just so we could treat human lives as if they are less valuable than cattle. Think about it. If the politicians feel this way about a 9-month old baby in the womb, who’s next? Senior citizens? The mentally challenged? Jews?
Can I get an amen?
I couldn’t resist sharing this tale with y’all. I was doing a little research and stumbled across the story of Kate McHale Slaughterback. Born in Longmont, CO in 1894, Kate was a pistol. By all accounts, she was strong-willed, independent, arguably surly, and she did not like to be told what to do. By anybody. Which may account for several failed marriages.
Perhaps headstrong to a fault, I can’t help but think this is the very flaw that saved her life and created her legend. You see, Mrs. Slaughterback came to be known as “Rattlesnake” Kate because she killed a few of the critters one afternoon–over 140 of them. One. Hundred. Forty.
As you might expect, the indpendent Kate could handle a gun. One afternoon she and her three-year-old son ventured down to a local pond. Some duck hunters had been there earlier and Kate thought she might have the chance to bag a wounded one for dinner. Walking back to her son and her horse, she noted a rattler crawling across her path and popped him with her .22. But another rattler appeared. And another. The ground literally started squirming with writhing, hissing, rattling snakes, scores of them, separating her from her little boy.
Kate shot rattlers until she ran out of ammo then she snatched up a sign (that supposedly read NO HUNTING) and went all Samson on the reptiles. For over two hours, she bludgeoned, kicked, stomped, and smashed snakes. Finally, she had a path open and made a beeline to her boy.
A neighbor noted her disheveled appearance when she returned home and she shared her story. Whether to prove the truth of it or gather up the skins, she and the neighbor returned to the site of the massacre. Color him appropriately impressed and he spread the story. The tale went viral, especially once the newspapers got hold of it, and like reporters were apparently compelled to do in those days, they gave Kate a moniker, dubbing her “Rattlesnake” Kate.
Kate was a skilled taxidermist and entrepreneur. Her fame allowed her to sell rattlesnake souvenirs, but she also made herself a dress out of the hides. Upon her death in Greely, CO in 1969, the garment was donated to the history museum there.
Now, I just want to say, what Kate did was crazy amazing. But as an arachnophobic, I can totally understand it. FEAR can make you insanely strong. If Kate was as afraid of snakes as I am of spiders, I can easily understand going whirling-dervish mad and killing snakes in a blind rage of fear and fury. And then you strand her child on the other side of the reptilian river? Oh, yeah, this is a Mama Grizzly story.
Can you imagine what she might have done if she’d had the jawbone of an ass?
Henry Long Feather leaned against a tree and studied the white woman. She taught the children from the Bar FB three days a week and often brought them out of the little shack Fairbanks had built for a school. This was a rare thing for a white teacher to do, but she—Laurie Wilcox—was different from most whites Long Feather knew.
She was older, like him. Perhaps fifty summers or so, but youth still lived in her smooth skin and ready smile. Everything about her was light and delicate and fascinating to him. From her long, golden braid that gleamed even when there was no sun, to her slight nose, to her haunting eyes—the icy blue of a stream in winter. But they warmed him, like now.
She raised her gaze over the heads of her students and beamed at him. “Mr. Long Feather. Come to join us for a lesson?”
A dozen little cowboy hats and twin braids all swung round to him, showing young faces bright with curiosity. Shoving his hands into his pants pockets, he pushed off the tree and strode over to them more than happy to forget the event with the bull. “Not today, Mrs. Wilcox. I have come for Joseph.” He tapped the top of a brown hat and the freckled-face boy of eight beneath it grimaced up at him. “Yes, you. Your father has need of you in the blacksmith barn. He asked me to send you over.”
“Aw,” the boy moaned, kicking at a dirt clod.
“That’s perfect timing. We just finished our lesson.” Mrs. Wilcox snapped her Bible shut. “You go on, Joseph. Don’t keep your father waiting. The rest of you,” she surveyed the ring of a dozen or so students, “Spelling test tomorrow. Make sure you study.”
The children gave her their own collective groan and drifted away, a few darting for trouble at various places on the ranch. When they were gone, their teacher rocked on her heels and smiled up at Long Feather, an awkward kind of sign that he couldn’t read. But there was much he did not understand about Mrs. Wilcox.
“What kept you busy today, Mr. Long Feather?”
He shrugged, not quite prepared to share all the details of his day. “The boys brought in a couple of Indian ponies Fairbanks wants me to train to the saddle. They are willing. It will not be much work.” Unlike this new task of training Joel Chapman. “And you, Mrs. Wilcox? What does a teacher do with herself when the students have gone?”
“Please, call me Miss Laurie. Everyone does.” He nodded, acquiescing to her request and she continued. “I have my own homework—some papers to grade.” She bit her bottom lip and tilted her head in a way that made him want to brush his hand down her cheek. “Could I see them? The Indian ponies.”
“Surely.” The answer slipped out before he’d had a chance to think about it. A missionary, Miss Laurie was liked on the ranch, but the hands kept their distance, as if her religion might be catching. Long Feather harbored no such fear. Instead, he wondered what they would say about her strolling with an Indian if she wasn’t preaching at him.
She scrunched her forehead at him. “You don’t want to show me?”
Her perceptiveness caught him off guard. “No, it is not that. You are a white woman.”
“Yes, I was born with the affliction.”
Her joke took a moment to light on his brain, but when it did, he offered her a reserved chuckle. “You don’t understand—”
“I understand perfectly, Mr. Long Feather. And as a child of God, I love all people. I can’t help what others think about that. I don’t let their prejudices dictate with whom I stroll.”
He pushed a hand over his mouth, sighed, and gestured back toward the way he’d come. “After you.”
Hmmm. What trouble awaits this relationship? I hope you’ll read and find out. Get your copy today!
22 To the weak I became weak, to win the weak. I have become all things to all people so that by all possible means I might save some. 1 Corinthians 9:22
Too often, the history of missionaries in America has been one of overriding a group’s identity to Christianize them. Capt. Richard Pratt said, referring to Native Americans in 1892, “Kill the Indian in him, save the man.” But I discovered a missionary who did it right and the Cheyenne loved her.
Marie Gerber Petter came to America from the Swiss Jura Mountains with her husband Rodolphe in 1890. The couple arrived with the express purpose of taking the Gospel to Native Americans. But first, they had to learn English and raise funds for their goal, which they did by visiting Mennonite churches in the mid-West.
In 1893, the couple moved to Cantonment, OK to live among the Cheyenne. Rodolphe and Marie were fluent in French, German, English, and Rodolphe could read Latin and Greek. Together, he and Marie began to learn Cheyenne. Their perseverance and passion for the language impressed the Cheyenne greatly. The Petter’s shared the Gospel but did not denigrate the Cheyenne religion in the process.
Instead, they tried to copy Paul’s example and be all things to all people.
When Marie realized the Cheyenne women had some amazing needlecraft and beadwork skills, she immediately set about creating sewing circles. A beautiful, nonconfrontational way to find common ground with the women in the tribe. They sewed together and spoke Cheyenne, the roles of teacher and student going back and forth. And Marie was an eager student. She was on fire to learn the language because she desperately wanted the Cheyenne to meet her Savior.
The Petters not only brought the Cheyenne the Gospel, but they also did the tribe a huge service by turning an oral language into written form. The couple produced a Cheyenne dictionary, a Cheyenne grammar book, two Cheyenne hymn books, a translation of John Bunyan’s Pilgrims Progress, the complete New Testament and a beginner’s guide for learning Cheyenne.
I found the following quote in the Chicago Community Mennonite archives that I thought summed up what this amazing couple accomplished for the Lord: “Lawrence Hart, Mennonite pastor and Cheyenne Chief has credited Petter with the preservation of the Cheyenne people. When everything else was taken away (buffalo, deer, fishing streams, native arts and horses) [the] Petter[s] helped sustain a Cheyenne identity by preserving the language. The Petters, wrote Chief Hart, are now viewed as Saints among the Cheyenne.”
Now, that’s how you spread the Gospel.
Marie and her husband served among the tribe for over twenty years, always respecting the culture and fighting assimilation, yet modeling the love of Jesus Christ in a way that is still winning Cheyenne souls to this day.
Oh, happy holidays and Merry Christmas, it’s a party!
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December 19, 20, and 21!
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Christmas in the West in the 1800’s. For some reason, I get warm-and-fuzzy feelings thinking about the wide open spaces, deep snow, tall pines, warm hearths, homemade gifts, sleigh rides, fiddle music, shy cowboys asking for a dance at the Christmas ball–Whoops! Sorry, I drifted off there for a second!
You can see why I write this stuff!
I’d like to share with you three of my favorite things that put me in mind of a Western Christmas: a certain book, a certain song, and a certain poem. Maybe they’ll set you to dreaming about a Cowboy–er, I mean, an old-fashioned Christmas, too!
THE BOOK-–More than a decade ago, I read A Bride Goes West, the memoirs of Wyoming wife and rancher Nannie Alderson. The book haunts me to this day. You’d have to read it to understand, but Nannie was a fire-cracker with a rebel’s heart! Nothing ever kept her down; she accepted life with grace and grit and lived a grand adventure when the west was still wild and wooly.
Born to an affluent southern family, Nannie grew up in post-Civil War Virginia. Her home and community were spared much of the desolation of war, leaving her to blossom in a world that clung to the most genteel Southern graces. Her petticoats were ironed daily, she never cooked a meal or did her own laundry, but she did learn the most useless graces of high society. Her mother was a vain woman who enjoyed being the belle of the ball and was pleased to groom her daughter for the same fate.
Nannie only felt strangled by the shallow, societal confinements.
In 1880, she had the opportunity to visit a cousin in wild-and-wooly Kansas. Nannie jumped at it. Right from the start, she fell in love with the freedom of the West. No one judged her there; no one treated her like a hot-house flower. What you wore or who you ate dinner with didn’t impress anyone. Folks were measured by their sand, not their silk breeches. Hard work and honest words were all that mattered.
While there, she met the man who epitomized these traits. Walt Alderson had left home at the age of 12 to make his way as a cowboy. He spent years learning to be the best cowboy he could be with the ultimate goal of running his own spread. In all that time, he never made one visit home.
Then suddenly, his future rolled out before him. He and his business partner purchased some land in Montana and started the work of building a ranch. For whatever reason, Walt decided in the midst of all this to check in on his family. The night he came home, Nannie was sitting on his living room settee.
Nannie’s recollections of building a ranch in the wilds of Montana with Walt are fascinating, detailed, peppered with humor, and always honest. She went from gliding across hardwood floors to sweeping dirt floors covered with canvas. She went from living in an antebellum mansion to a drafty, two-room cabin. She went from swirling about at parties with young men in perfectly tailored suits to dancing with dusty cowboys in patched up dungarees.
She had to learn to cook and her tutors were those trail-hardened ranch hands who treated her like a princess and readily forgave her for the rocks she called biscuits. She survived bed bugs and blizzards; delivered children with no midwife and stared down Indians. Nannie even shot a rattlesnake who attempted to take up residence in her kitchen. She readily admits she had moments when she felt sorry for herself, but, mostly, Nannie counted her blessings. She loved her life. She loved the way of life out West.
Like Walt, quitting was never part of the plan, even when the stock market crashed and Indians burned their house. For ten years they worked and slaved to forge a home from the beautiful, desolate, wide-open country in Montana. Even when Walt died, leaving her a widow with two young children, Nannie cowboyed up. She made ends meet; she raised good kids.
The next time your microwave goes on the fritz or you forget to pick up milk at the store, pick up a copy of A Bride Goes West. I guarantee this American woman will put things in perspective for you.
THE SONG–Two-Step ‘Round the Christmas Tree. I was in Wyoming on my honeymoon when I heard this song for the first time. It truly has special memories for me. Give a listen and get to dancin’!
The Poem–The Creak of the Leather. The absolute maestro of cowboy poetry is the legendary Bruce Kiskadon. And if this poem doesn’t make you want to strap on a pair of spurs and jump in the saddle and ride out and cut down a Christmas tree, check your pulse!
THE CREAK OF THE LEATHER
by Bruce Kiskaddon (1878-1950)
It’s likely that you can remember
A corral at the foot of a hill
Some mornin’ along in December
When the air was so cold and so still.
When the frost lay as light as a feather
And the stars had jest blinked out and gone.
Remember the creak of the leather
As you saddled your hoss in the dawn.
When the glow of the sunset had faded
And you reached the corral after night
On a hoss that was weary and jaded
And so hungry yore belt wasn’t tight.
You felt about ready to weaken
You knowed you had been a long way
But the old saddle still kep a creakin’
Like it did at the start of the day.
Perhaps you can mind when yore saddle
Was standin’ up high at the back
And you started a whale of a battle
When you got the old pony untracked.
How you and the hoss stuck together
Is a thing you caint hardly explain
And the rattle and creak of the leather
As it met with the jar and the strain.
You have been on a stand in the cedars
When the air was so quiet and dead
Not even some flies and mosquitoes
To buzz and make noise ’round yore head.
You watched for wild hosses or cattle
When the place was as silent as death
But you heard the soft creak of the saddle
Every time the hoss took a breath.
And when the round up was workin’
All day you had been ridin’ hard
There wasn’t a chance of your shirkin’
You was pulled for the second guard
A sad homesick feelin’ come sneakin’
As you sung to the cows and the moon
And you heard the old saddle a creakin’
Along to the sound of the tune.
There was times when the sun was shore blazin’
On a perishin’ hot summer day
Mirages would keep you a gazin’
And the dust devils danced far away
You cussed at the thirst and the weather
You rode at a slow joggin’ trot
And you noticed somehow that the leather
Creaks different when once it gets hot.
When yore old and yore eyes have grown hollow
And your hair has a tinge of the snow
But there’s always the memories that follow
From the trails of the dim long ago.
There are things that will haunt you forever
You notice that strange as it seems
One sound, the soft creak of the leather,
Weaves into your memories and dreams.
Of course, though, the most wonderful, most amazing, most old-fashioned thing about Christmas is the birth of a savior two thousand years ago. Remember and celebrate the Reason for the Season: the One who was born to die for mankind.
And I hope you all have a very merry, very blessed, very old-fashioned Christmas!
Hey, y’all. I’m really torn between these two ladies for voicing Hell-Bent on Blessings. Would you weigh-in down in the comments section? I’d sure appreciate your input!
And Lily Bly
So, let your voice be heard! Power to the people for Audiobooks! And if you haven’t about my sassy heroine Harriet Pullen, I hope you’ll pick up a copy of Hell-Bent on Blessings today. It is based on a TRUE story!
As a nation, not only have we become deeply divided, but we’re divided over stupid things. Maybe–here’s a crazy thought–if we were a little less sensitive we’d all get along a little better. Instead of scouring the universe for something that hurts our little feelings, maybe we could be more concerned with things that matter.
So, here’s the reason for my rant. I recently read an article (Writing with Color Description Guide Part One) that said writers shouldn’t use words like chocolate, coffee, cinnamon, cocoa, etc. to describe a Person of Color. Such descriptors are, according to this article’s author, fetishizing, dehumanizing, and my favorite (and I quote): these words are about aggression and appropriation and have links to colonialism.
You can’t, according to the writer, use coffee, for example, to describe someone’s skin color because it refers to slavery. You’re microaggressively trying to show your European dominance. I have to quote the writer again: “Cocoa. Coffee. They drove the slave trade. They still drive the slave trade.” (Underline is hers not mine.) In short, you are obviously a racist if you use the word coffee to describe an African American’s skin tone. Give me a break.
BUT, we can use words like peachy and milky to describe whites–because, according to the article’s author, whites aren’t people of color. Furthermore, she says it’s okay to say Olive-toned (Olives have no historical connection to slavery?). She also says it’s okay to use other foodie descriptors like wheat, soybean…wait, what? Soybean?
I’m pretty sure a stranger would be offended if I described her skin as a warm soybean color. Now THAT is dehumanizing.
And just who does this writer suggest run the Politically Correct Botanical Comparison Police anyway? Her? Frankly, with stupid suggestions like “soybean,” someone needs to take her badge away.
I LOVE coffee. I am pretty sure that’s not because I’m a subconscious racist. Coffee smells like heaven. The texture is gritty and firm. The taste is warm, savory, and comforting. I could sleep on a bed of steamy milk. Anyone who walks into a Starbuck’s and inhales that heady aroma knows exactly what I’m talking about.
My point is rather than worrying about microaggressions or poor cliches in literature, people that live to be offended should try to be more constructive. That is if they truly want to make this a better world.
Instead of complaining about being called coffee, go have a cup with someone who has a different view of life from yours. Instead of acting like your elders’ march for civil rights didn’t break any barriers, let’s march together to end sex slave trafficking. Instead of whining about the way illegal immigrants are treated, study America’s history and look at what blessings members of the “melting pot” have added to the world.
I have a suspicion, though, the writer of “Writing with Color” would rather just go read Mark Twain and strikethrough all the offensive words. Maybe she’ll feel better but I doubt it.
How about you? Do you feel victimized by bad color metaphors or do you even give a rip as long as you can see the scene and the character?
(To be fair, the author in Part 2 she does offer some nice substitutes, but she clearly shies away from metaphors and similes, preferring to just use colors to describe characters).
Can you hear me now? I mean literally. Have you ever thought about listening to an audiobook? Several of my books are available for listening and more are coming. Audiobooks are awesome because you can get lost in a story while you’re cooking, cleaning, crafting, or whatever. I love them for long road trips. They make the time fly.
But there is a lot of work that goes into creating and producing an audiobook. One of the things that I have to do is listen to auditions of narrators who would like to read a book to you, gentle reader. So, just for the fun of it, please give a listen to this snippet from Talmadge Ragan’s audition to narrate Love, Lies, & Typewriters! She’s quite the professional.
And just for fun, here is me trying to be a professional narrator! I am reading from Locket Full of Love!
I hope you’ll check out my books over at Audible and give a listen. Listening really frees you up to do more!
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